So long, my luckless romance
My back is turned on you
I should’ve known you’d bring me heartache
Almost lovers always do

"Am I a machine without feelings? Do you think that because I am poor, plain, obscure, and little that I am souless and heartless?" - Jane Eyre (2011)

Brienne’s story is an adaptation of a traditionally male narrative, one that usually sidelines or victimises female characters. She swears fealty to a woman, as male knights swear to their liege lord, because she respects that woman’s strength, her bravery and her kindness. She goes on a quest to save the beautiful maiden, but not to marry her or benefit from the quest in any way, but to return her to her mother. Because she cares for Catelyn, and because it is the right thing to do. It is a story of a woman, rescuing a woman, for the sake of another woman. It is a rare story where the mother, the young girl and the shieldmaiden are all given equal weight and worth. Brienne, despite taking on many stereotypically male traits, is not “one of the boys” or in any way dismissive of her gender as a group. She does not fit into the role that society has assigned for her, but she does not disparage those who do. She uses her strength and her skill to respect and help other women in ways that most men in Westeros would never even think to attempt, because she understands, more than any other knight, that women are truly worth something as individuals.
“There Are No True Knights: Brienne of Tarth” @ Feminist Fiction (via tallandhomely)
Ignoring your passion is slow suicide. Never ignore what your heart pumps for. Mold your career around your lifestyle not your lifestyle around your career.
(via marnied)

Green Wheat Field (detail), Vincent Van Gogh, 1890

Green Wheat Field (detail), Vincent Van Gogh, 1890

The idea that Anastasia had miraculously survived the brutal execution in Ekaterinburg burst upon a world traumatized by a decade of tragedies that marked the passing of the old order: the sinking of the Titanic, the horrors of the First World War, the fall of dynasties, the Bolshevik Revolution, and the threat of communism. However unlikely, it spoke to natural human optimism, to the desire that somehow, Bolshevik bullets had failed to destroy an entire family.
Greg King and Penny Wilson, Resurrection of the Romanovs: Anastasia, Anna Anderson, and the world’s greatest royal mystery (Hoboken, New Jersey: John Wiley & Sons, Inc., 2011): 2. (via frickyeahanastasia)

Calling cards of Parisian Prostitutes

1925-35

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